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classical guitars

Image Unavailable8 string classical, made for Hae Kwon Oh.

 

Image Unavailable"Craftsman" rosette detail. Cedar (shown), European spruce and Englemann spruce soundboards available.

Image UnavailableIndian rosewood back and sides. A limited supply of Amazon rosewood and thirty year-old Brazilian rosewood is also available.

Image UnavailableJohn Gilbert tuning machines are featured for their unsurpassed quality and precision.

Image UnavailableMahogany or Spanish cedar is available for the neck.

Image UnavailableMacassar ebony tailblock and binding detail.

Image UnavailableEuropean spruce soundboard with "bear claw" figure.

Image UnavailableBridge on the spruce model.

Image UnavailableWalnut back and sides.

flamenco guitars

Image UnavailableA Sanders flamenco guitar.

Image Unavailable"Craftsman" rosette detail.

Image UnavailableBack and sides available in either Spanish cypress or Alaskan yellow cedar.

Image UnavailableFlamenco bridge.

Image UnavailableTraditional Spanish cypress back ...

Image Unavailable... and sides.

19th century guitars

Image Unavailable10 String Guitar, 2006 by Jack Sanders after Rene Lacote, 1830. Commissioned by Dr. Michael Patilla, Assoc. Prof. of Music at Mississippi State University.

Image Unavailable10 string headstock.

Image UnavailableGuitar, 2002 by Jack Sanders after J.G. Stauffer, circa 1820.
Scott Morris, guitarist.

Image UnavailableMother-of-pearl rosette.

Image Unavailable"Mustache" bridge.

Image UnavailableSide and tail block detail.

Image UnavailableCurly maple back and sides.

Image UnavailableTuners, David Rodgers, London.

baroque guitars

Image UnavailableAndy Summers enjoying his new baroque guitar

Image UnavailableBaroque Guitar, 2005 by Jack Sanders on the Stradivarius design. Built for Jason Yoshida

Image Unavailable 2005 Baroque guitar front.

Image UnavailableBaroque guitar, modeled after one built in 1700 by Antonio Stradivari, Cremona, Italy, one of only three documented Stradivari guitars
known to survive.

Image Unavailable Parchment rose, made by Elena Dal Cortivo, Milan.

Image UnavailableDetail of neck inlay.

Image Unavailable Macassar Ebony back and sides on guitar built in 2005.

viheulas

Image Unavailable Vihuela, 2000 by Jack Sanders, of his own design featuring elements from the Musée Jacquemart-André, Chamburé, and Quito vihuelas.

Image UnavailableVihuela, 1997, adapted from the the Musée Jacquemart-André instrument.

Image Unavailable The rosette on the 2000 vihuela.

Image UnavailableThe soundboard with heart and clover inlay, taken from the Alonso Mudarra volume of vihuela tabulature, Tres Libros de Musica, 1546.

Image Unavailable The peghead.

Image UnavailableMahogany back and sides.

Image Unavailable Bridge and inlay detail.

guitars in progress

Image Unavailable Bracing detail for 8-string classical.

Image UnavailableGuitar for Dani Aurouze: European spruce top, ...

Image Unavailable ... cocobolo (Mexican rosewood) back and sides, ...

Image Unavailable... and rosette detail.

Image Unavailable Guitar for Jill Winchell: Cedar top, ...

Image Unavailable... Indian rosewood back and sides, ...

Image Unavailable ... clamping the lining, ...

Image Unavailable... prior to gluing back, ...

Image Unavailable ... and rosette detail.

Image UnavailableCompleted bodies ready for binding-the spruce top has a light coat of shellac.


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( last updated: April 9, 2008 )